Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Thursday, 19 September 2019

Open Cambridge: celebrating Keynes at the Marshall Library by Sue Woods


It is 100 years since the publication of Keynes’ Economic consequences of the peace, and in conjunction with the Faculty of Economics’ centenary conference held earlier in the week at King’s College, the Marshall Library organised displays and a series of blog posts to illustrate the significance of Keynes’ work.
The Marshall Library welcomed a record number of Open Cambridge visitors, including artists, historians, architects, and economists, and it was a delight to see visitors’ first impressions when entering the library.   Hidden behind the stark façade of a brutalist building designed in the early 60’s by Sir Hugh Casson, the Marshall Library is open plan, flooded with natural light, and features a spiral staircase leading to the gallery.
View of the Marshall Library Reading Room showing the spiral staircase, designed by Sir Hugh Casson

The Keynes displays featured first editions of “The economic consequences of the peace”, and Tardieu’s “The truth about the treaty” which sought to justify the Treaty and counter the criticisms levelled at it by Keynes. A letter from Charles Waldstein to Keynes was found within the pages of the Marshall Library's copy of this book in which he declared Tardieu to be '... such a swine' and encouraged Keynes to respond to him. 
In addition, there was a display of Keynes’s correspondence from 1919, including the exchanges between Maynard and his mother when he was on the point of resigning his position as H.M. Treasury adviser at the Paris Peace Conference in Versailles.  His mother shows her concern both for his welfare and his reputation. 
Florence Ada Keynes, Maynard's mother
In the Mary Paley Room, which houses the Marshall Library’s collection of rare books, we showed the original copies of The Economist from December 1919, when both Marshall and Keynes were publishing within a week of each other.  At the age of 77, Marshall published the two-volume “Industry and Trade”, and the following week, there was the announcement of Keynes’s “Economic Consequences of the Peace”, with the first review appearing on 27 December.
It was Alfred Marshall who encouraged Maynard to become an economist, as he was impressed by Maynard’s work.  After graduating with a first class degree, Maynard stayed at King’s for a fourth year and started weekly supervisions with Marshall, although he had not yet decided to become an economist.  Maynard enjoyed the intellectual challenge of studying economics with Marshall, and in turn Marshall considered Keynes’ essay on comparative railway systems ‘a brilliant answer’.  This praise then prompted Keynes to write to Lytton Strachey, “I find economics increasingly satisfactory, and I think I am rather good at it.”
Lytton Strachey and Virginia Woolf

We had anticipated interest in the Keynes exhibition, but it is always intriguing to find out why visitors have specially selected your library to visit as part of Open Cambridge.  It was while visiting the Mary Paley Room that one visitor started enquiring about the basement which had been mentioned earlier in the tour.  He was an artist who specialised in photographing behind the scenes in libraries and museums and he wondered out loud if it would be possible to visit the Marshall Library basement.  No matter how carefully you plan an exhibition, there will always be something else that visitors want to explore. 


Thursday, 27 November 2014

Economy of Reality-Maintenance

Economy of Reality-Maintenance

Negotiator, Allocator, Validator, Survivor, Activator, Participator, Dictator, Complicator,
Mediator, Stimulator, Dislocator, Anticipator, Collaborator  (detail)

Economy of Reality-Maintenance, Marshall Library, 2014
Art Language Location invited artists across disciplines to site work across Cambridge which create conversations between artist, artwork and location. Together with Clemens Gresser, Robert Good (ALL organiser) and Lisa Wilkens we discussed my proposal for the Marshall Library of Economics. My work ‘Economy of Reality-Maintenance’ involves applying text to the majority of chairs in the library. The real, twisted and made-up roles and positions reflect on identities we take on in the world of work and the everyday.


Economy of Reality-Maintenance, Marshall Library, 2014
Using Deutsche’s terminology of site-specifity (Deutsche, R.: Evictions. Art and Spatial Politics, Cambridge (Mass.) and London: MIT 1996), this installation is charged with a disruptive rather than a harmonising quality. The library is a public institution as such a regulated educational environment; a place of focused study and minimal verbal exchange. The installed text defamiliarises the library environment and disrupts habitual patterns. Will it make people more self-conscious? There is an underlying humour in the installation whilst being unsettling. Looking across the options makes one think of who am I or wish to become. Will it create hesitation before someone sits down? It triggers a stimulating mind game between the real and the made up. Yet, language is neither straightforward nor transparent. Words are setting up an idea but fail: the label on the chair is not doing what it says, you don’t become that position. Formerly authorised language (Bourdieu P.: Language and Symbolic Power, Cambridge, Mass.: Harvard University Press, 1991, p. 129) is undermined. But is it an attempt of audience manipulation? No it’s not; it is rather a joke and contradicting. With the audience in mind, Willath (Willath, S.: Intervention and Audience. London: Coracle Press 1984) endorsed conflict as ‘generative’ for attention. Besides, materiality and aesthetics make a difference to perception and engagement. Here, non-permanent lettering is placed employing the library’s formal aesthetics, almost blending in. Library visitors make a choice of sitting, focus on their reading and may forget the chair’s label. However, looking up one can see others and make assumptions. How does it feel to be labelled? As the text is placed on the back one is not in control. The installation is reflecting on the way we face and take up roles whether unconsciously, taken-for-granted, by choice or pressure. Here, I am drawing reference to Berger & Luckmann’s ‘Social Construction of Reality’ (P.L. Berger and T. Luckman: The Social Construction of Reality – A Treatise in the Sociology of Knowledge, Doubleday, London 1966, p. 149ff.). We act in a web of relations, and occupy a number of different roles in the personal, social, economic or public arena. By looking beyond the veneer of how we manoeuvre my performative text installation challenges the audience to question their position.

Thank you to Marshall Library of Economics for hosting my text installation.


AnnaMaria Kardos


London based artist AnnaMaria Kardos questions the relationship of power and control that are inherent to language and objects we use in our everyday interactions within public, educational and corporate settings. She graduated from Central St Martins, joined altMFA and is currently undertaking a MFA FA at Goldsmiths University. Working across media and functional spaces her site-related installations and performative works come inseparably with a layer of humour. www.akardos.net